The Pianist (2002)

Director:

Roman Polanski

Writers:

Wladyslaw Szpilman (book)
Ronald Harwood (screenplay)

Release Date:

3 January 2003 (USA)

Genre:

Biography | Drama | Music | War

Tagline:

Music was his passion. Survival was his masterpiece.

Plot:

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

Plot Keywords:

Assault Rifle | Disturbing | Loss Of Brother | No Opening Credits | Loss Of Mother

Awards:

Won 3 Oscars. Another 43 wins & 42 nominations

Cast

Adrien Brody	...	Wladyslaw Szpilman
Thomas Kretschmann	...	Captain Wilm Hosenfeld
Frank Finlay	...	Father
Maureen Lipman	...	Mother
Emilia Fox	...	Dorota
Ed Stoppard	...	Henryk
Julia Rayner	...	Regina
Jessica Kate Meyer	...	Halina
Michal Zebrowski	...	Jurek
Wanja Mues	...	SS Slapping Father
Richard Ridings	...	Mr. Lipa
Nomi Sharron	...	Feather Woman
Anthony Milner	...	Man Waiting to Cross
Lucy Skeaping	...	Street Musician
Roddy Skeaping	...	Street Musician

Also Known As:

Pianist, Der (Germany)
Pianista (Poland)
Pianiste, Le (France)

MPAA:

Rated R for violence and brief strong language.

Runtime:

150 min | Spain:142 min (DVD edition)

Country:

France | Germany | UK | Poland

Language:

English | German | Russian

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Iceland:16 (video rating) | Iceland:14 | Argentina:16 | Australia:MA | Brazil:14 | Canada:13+ (Quebec) | Chile:TE | Denmark:11 | Egypt:(Banned) | Finland:K-15 | France:U | Germany:12 (bw) | Hong Kong:IIA | Ireland:15 | Netherlands:12 (re-rating) | New Zealand:R15 | Norway:15 | Peru:PT | Singapore:PG | South Korea:12 | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | UK:15 | USA:R | Canada:AA (Ontario)

Filming Locations:

Babelsberg, Potsdam, Brandenburg, Germany

Company:

R.P. Productions

Trivia:

Chosen by "Telerama" (France) as one of the 10 best pictures of 2002 (#06)

Goofs:

Continuity: When Szpilman crawls past the woman who was shot in the back and died kneeling in front of the hospital (before she reached the staircase), she has moved forward visibly (and is now in front of the stairs).

Quotes:

Yehuda: [introducing Wladek] Majorek, this is the greatest pianist in Poland, maybe the whole world.

Movie Connections:

Referenced in "Extras: Kate Winslet (#1.3)" (2005)

Soundtrack:

Marsz Strzelcow

Stoic, haunting tale of survival

The Pianist tells the story of such a man in war time Poland, played by Adrien Brody, who from start to finish sees his life literally getting worse and worse and worse- starts off with new rules from the Nazis, then the stars on the arms, followed by the Warsaw ghetto, and while there he could play in the restaurant, that too soon ended, as the trains arrived and took his family and anyone else he knew away. During this he narrowly escapes, and from then on the film in a sense almost becomes not exactly a holocaust film, but more like a cross of that as the element and the basic structure of something a-la in Cast Away: this includes stretches of scenes showing Brody simply trying to keep out of view of the Germans, either in a small apartment provided by helpful Polish Christians/Jewish resistance, or as a scavenger in the abandoned sections of the ghetto, all while feeling the old rhythm of the piano in his head and fingertips.

This is the kind of magnificent filmmaking that shows a director not only being as true to the story given to him (that of Painist Szpilman, based on his autobiography) but to his past as well- Roman Polanksi faced similar conditions as a boy in the early 40's, and has found the best line to show, never crossed or mis-stepped, in representing the characters and the period. There aren't any hints of tightened suspense, no clues as to where the film could veer to, it just is. The big difference to be seen between a film like this and Schindler's List is not just in the people and situations (Schindler's List was a film about two people, Schindler and Goeth, in the foreground while the Pianist is a total first person tale), yet also in the filmmaking qualities being here surely European. And while the accents on the Polish-Jewish actors sounds a bit too British, that is quite forgivable considering the scope of the project (thank heavens he didn't put in English speaking Germans).

In conclusion, Brody turns in a superb performance, and this indeed is in with Polanski's best, a deserved of 2002's Palme D'Or. Great music too. A+