1 out of 2 people found the following comment useful :- 3000 Miles Of Inane Plot, 9 October 2003
Author:
dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Spoilers.
Obvious from the outset that this Clambake would be a shameless Hollywood
glam-scam, wise men say only fools rush in - and KURT, the best Elvis of
all
time - gets himself into Double Trouble by donning THIS cape. A-uh-huh.
Poster, slogan and title of this film are completely misrepresentative of
the movie itself: you've seen Kurt and Costner both healthily Elvis on
the
ad campaign, slammin' slogan Crime Is King splayed under their
bejumpsuited
selves - but the thrill of the heist and subsequent escape shreds like
shooting-range flak in the first thirty minutes, which are very
Super-Hero,
Hard Guy, MTV-jump-cut, All Shook Up, flaming-gun-barrel, sneered lips,
sequined cloaks and tight-panted thighs. And Kurt gets bonked TWICE by
Courtney Cox in the ghetto! The film title refers to the cross-country
trek
Costner makes in an ambivalent attempt to escape the lazy arm of Harry
Connick's and Kevin Pollak's Law and make Crime pay.
Though an Elvis Heist may seem juvenile on paper, the irony is, the first
thirty shake rattle and roll minutes - when they ARE actually pulling off
The Caper as Elvises - are the best gutshock moments of the film! The
rest
of the movie meanders like a deer caught in the headlights of its own
exposition - that is, the movie was run down by the quality of its
opening
sequence.
Then came act two, you seemed to change and you acted strange - And why
I'll
never know. It degenerates into your clichéd tale of Costner offing the
rest
of his purple gang to keep all the loot fer hisself. His gang: David
Arquette (perennial nerd and ultra-jerk - if a King Dork like this guy
can
score a bonk-junkie cyberbabe like Cox, there is yet hope for the rest of
us), Christian Slater (walking the edge of Hard Guy and Court Jester),
Bokeem Woodbine (token black dude), Kurt Russell (a hunka hunka burnin'
love) and Kevin himself (screwloose hard guy with a really tasty gun).
Well, Costner - bein' nothin' but a Hound Dog - offs the whole gang
within
five minutes of the heist, thinking he has also offed Kurt - but Kurt's
wearing kevlar! - suddenly we are asked to accept that the COOLEST of
these
cats would be pussy enough to don a vest!? (Lord almighty - I feel my
temperature risin'.) And here we were thinking that all these men LAUGHED
in
the face of death and flicked the ear of fatal woundings. Obviously one
of
them possesses enough insight and forethought to be wary of an Elvis
impersonator who sports mutton-chop sideburns not as a disguise, but as a
fashion statement (Costner), thereby sullying his Badness altogether, as
we
realize that he has all the impulsiveness of an ACCOUNTANT. Through
Unconscionable Afterthought Plot Points, Kurt makes off with the heist
money, trailer-trash Courtney and her klepto kid, while Kevin is trying
to
extricate himself from the Egregious Coincidence Screenwriting.
So Kevin goes after Kurt, picking up a Long Legged Girl (With A Short
Dress
On) along the way, killing a guy, blowing up a gas station, doing all
those
hard guy things that come natchelly to hard guys like his bad
self.
Round and round it goes, with Kevin and Courtney and Kurt and kid and
cash
in innumerable combinations of chasing each other, stranding one another,
hi-tailing it down freeways, double-crossing, blackmailing, return to
sender, snidely-whiplashing their way across the country, padding the
film
like a big fat Teddy Bear.
Meanwhile, Harry Connick and Kevin Pollak, playing the two LAZIEST
detectives ever committed to celluloid, half-heartedly follow Costner's
trail of mindless meandering, mentioning at one point that Costner is
`about
3000 miles to Graceland', and deliberating as to whether he is the Lost
Son
Of Elvis. A Little Less Conversation A Little More Action, please! The
paternity is never resolved and by movie's end, when Connick and Pollak
are
standing over Costner's bloodied corpse, we are left guessing as to
whether
he WAS Elvis Junior - Is your heart filled with pain, shall I come back
again? - No. Please, no sequels! I'm Hurt, much more than you'll ever
know.
Near movie's end, there is the incongruous appearance of Ice-T, brought
in
to help Costner kill some cops and step on some blue suede shoes. Kevin
tries shooting Kurt again, but Roustabout Kurt HAS ANOTHER VEST ON - And
Costner, not having a Suspicious Mind, FALLS for it again! It didn't
really
matter, cos by this time, I was bothering people around me with my
singing
and my big collar, who were all trying to get a little
sleep.
In a climactic sequence styled along the undeniably classic film-making
style of Ed Wood, Ice-T, suspended by his feet, spinning upside-down,
gets
his Mojo Workin' and comes swinging across the shootout on a guy-wire
with
two machine-guns taped to his arms, blazing in all directions, as cops
unload into him. It's almost worth the sit through this shiftless movie
just
to witness how excruciatingly hilarious his demise was. Almost.
3000 miles of inane script later, at movie's end, Courtney and Kurt and
kid
and cash sailing off into the sunset on Kurt's boat, named - what else? -
Graceland. (He has a BOAT? How does he suddenly have a boat?)
Out of 100, this movie rates a 1 for the money, 2 for the show.
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3000 Miles to Graceland (2001)
1 out of 2 people found the following comment useful :-

3000 Miles Of Inane Plot, 9 October 2003
Author: dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Spoilers.
Obvious from the outset that this Clambake would be a shameless Hollywood glam-scam, wise men say only fools rush in - and KURT, the best Elvis of all time - gets himself into Double Trouble by donning THIS cape. A-uh-huh.
Poster, slogan and title of this film are completely misrepresentative of the movie itself: you've seen Kurt and Costner both healthily Elvis on the ad campaign, slammin' slogan Crime Is King splayed under their bejumpsuited selves - but the thrill of the heist and subsequent escape shreds like shooting-range flak in the first thirty minutes, which are very Super-Hero, Hard Guy, MTV-jump-cut, All Shook Up, flaming-gun-barrel, sneered lips, sequined cloaks and tight-panted thighs. And Kurt gets bonked TWICE by Courtney Cox in the ghetto! The film title refers to the cross-country trek Costner makes in an ambivalent attempt to escape the lazy arm of Harry Connick's and Kevin Pollak's Law and make Crime pay.
Though an Elvis Heist may seem juvenile on paper, the irony is, the first thirty shake rattle and roll minutes - when they ARE actually pulling off The Caper as Elvises - are the best gutshock moments of the film! The rest of the movie meanders like a deer caught in the headlights of its own exposition - that is, the movie was run down by the quality of its opening sequence.
Then came act two, you seemed to change and you acted strange - And why I'll never know. It degenerates into your clichéd tale of Costner offing the rest of his purple gang to keep all the loot fer hisself. His gang: David Arquette (perennial nerd and ultra-jerk - if a King Dork like this guy can score a bonk-junkie cyberbabe like Cox, there is yet hope for the rest of us), Christian Slater (walking the edge of Hard Guy and Court Jester), Bokeem Woodbine (token black dude), Kurt Russell (a hunka hunka burnin' love) and Kevin himself (screwloose hard guy with a really tasty gun).
Well, Costner - bein' nothin' but a Hound Dog - offs the whole gang within five minutes of the heist, thinking he has also offed Kurt - but Kurt's wearing kevlar! - suddenly we are asked to accept that the COOLEST of these cats would be pussy enough to don a vest!? (Lord almighty - I feel my temperature risin'.) And here we were thinking that all these men LAUGHED in the face of death and flicked the ear of fatal woundings. Obviously one of them possesses enough insight and forethought to be wary of an Elvis impersonator who sports mutton-chop sideburns not as a disguise, but as a fashion statement (Costner), thereby sullying his Badness altogether, as we realize that he has all the impulsiveness of an ACCOUNTANT. Through Unconscionable Afterthought Plot Points, Kurt makes off with the heist money, trailer-trash Courtney and her klepto kid, while Kevin is trying to extricate himself from the Egregious Coincidence Screenwriting.
So Kevin goes after Kurt, picking up a Long Legged Girl (With A Short Dress On) along the way, killing a guy, blowing up a gas station, doing all those hard guy things that come natchelly to hard guys like his bad self.
Round and round it goes, with Kevin and Courtney and Kurt and kid and cash in innumerable combinations of chasing each other, stranding one another, hi-tailing it down freeways, double-crossing, blackmailing, return to sender, snidely-whiplashing their way across the country, padding the film like a big fat Teddy Bear.
Meanwhile, Harry Connick and Kevin Pollak, playing the two LAZIEST detectives ever committed to celluloid, half-heartedly follow Costner's trail of mindless meandering, mentioning at one point that Costner is `about 3000 miles to Graceland', and deliberating as to whether he is the Lost Son Of Elvis. A Little Less Conversation A Little More Action, please! The paternity is never resolved and by movie's end, when Connick and Pollak are standing over Costner's bloodied corpse, we are left guessing as to whether he WAS Elvis Junior - Is your heart filled with pain, shall I come back again? - No. Please, no sequels! I'm Hurt, much more than you'll ever know.
Near movie's end, there is the incongruous appearance of Ice-T, brought in to help Costner kill some cops and step on some blue suede shoes. Kevin tries shooting Kurt again, but Roustabout Kurt HAS ANOTHER VEST ON - And Costner, not having a Suspicious Mind, FALLS for it again! It didn't really matter, cos by this time, I was bothering people around me with my singing and my big collar, who were all trying to get a little sleep.
In a climactic sequence styled along the undeniably classic film-making style of Ed Wood, Ice-T, suspended by his feet, spinning upside-down, gets his Mojo Workin' and comes swinging across the shootout on a guy-wire with two machine-guns taped to his arms, blazing in all directions, as cops unload into him. It's almost worth the sit through this shiftless movie just to witness how excruciatingly hilarious his demise was. Almost.
3000 miles of inane script later, at movie's end, Courtney and Kurt and kid and cash sailing off into the sunset on Kurt's boat, named - what else? - Graceland. (He has a BOAT? How does he suddenly have a boat?)
Out of 100, this movie rates a 1 for the money, 2 for the show.
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