| Photos (see all 16 | slideshow) |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Masato Ide | writer | |
| Akira Kurosawa | writer | |
Produced by | |||
| Audie Bock | .... | assistant producer | |
| Francis Ford Coppola | .... | executive producer: international version | |
| Akira Kurosawa | .... | executive producer | |
| Akira Kurosawa | .... | producer | |
| George Lucas | .... | executive producer: international version | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Masaharu Ueda | (as Shoji Ueda) | ||
Art Direction by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Seiichiro Hagakusawa | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Shigeo Tamura | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Akira Fujita | .... | unit production manager | |
| Toshiaki Hashimoto | .... | production manager | |
| Toshiaki Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ishirô Honda | .... | second unit director | |
| Hideyuki Inoue | .... | assistant director | |
| Takashi Koizumi | .... | assistant director | |
| Fumiryo Okada | .... | chief assistant director | |
| Takao Okawara | .... | assistant director | |
Art Department | |||
| Aki Saburagi | .... | assistant art director | |
| Hatsumi Yamamoto | .... | property master | |
Sound Department | |||
| Ichirô Minami | .... | sound effects editor | |
| Mamoru Yamada | .... | assistant sound recordist | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Naomi Hashiyama | .... | still photographer | |
| Satoshi Kurikihara | .... | assistant lighting technician | |
| Tamio Matsuo | .... | assistant camera | |
| Kazuo Miyagawa | .... | consultant: photography | |
| Asakazu Nakai | .... | consultant: photography | |
| Takeji Sano | .... | lighting technician | |
Editorial Department | |||
| Yoshihiro Iwatani | .... | assistant editor | |
| Tome Minami | .... | negative cutter | |
Music Department | |||
| Kotaro Saito | .... | conductor | |
Transportation Department | |||
| Isamu Miwano | .... | transportation | |
Other crew | |||
| Audie Bock | .... | assistant to producer (international version) | |
| Francis Ford Coppola | .... | presenter | |
| Masa Furugawara | .... | scene shifter | |
| Toshi Hasegawa | .... | horseback riding instructor | |
| Shinobu Hashimoto | .... | production advisor | |
| Hiroaki Honda | .... | acting office | |
| Ishirô Honda | .... | directorial advisor | |
| Ishirô Honda | .... | production coordinator | |
| Ryu Kuze | .... | instructor: samurai etiquette | |
| George Lucas | .... | presenter | |
| Teruyo Nogami | .... | assistant to producer | |
| Teruyo Nogami | .... | script supervisor | |
| Donald Richie | .... | subtitle supervisor (US version) | |
| Donald Richie | .... | subtitler (international version) | |
| Takao Saitô | .... | production advisor | |
| Tamihei Shirai | .... | horseback riding instructor | |
| Ishirô Honda | .... | creative consultant (uncredited) | |
| Michael Rich | .... | assistant to director (uncredited) | |
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| Ran | Shichinin no samurai | The Last Samurai | Ying xiong | Suriyothai |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
I am a fan of Kurosawa and have seen many of his films many times. There is a sweep and an ache to Kagemusha that is genuine and has remained in my heart's memory. Unlike Ran, it is not Shakespearean. Unlike Seven Samurai, my favorite all-time film and I believe the best film ever made, it is not a western.
Although epic, it is about a sweet and rueful soul swallowed by karma and history. It is redemptive without overt sentiment, and the lead performance by Tatsuya Nakadai is nuanced and unforgettable.
I will always remember this film, not for its complexity or savagery, but for the simplest moments between Lord and subject, between the highest self and the lowest self, and most particularly, the very real pain of a man caught in the vise of his own life and death.